The British Soceity of Underwater Photographers

BSoUP Members Forum Login

email 
pwd  
 
[Forgot pwd] [New ID]


Google Search Site

BSoUP Facebook Group
Open to all


Website of the Week

Jack Jackson
Jack Jackson

All BSoUP Members' websites


2020Vision 2020VISION


Epson Red Sea Monthly Online Competition
Epson Red Sea Monthly Online Competition

Entry: 3rd-18th each month from January-May


Veolia Environnmente
Wildlife Photographer
Exhibition

Wildlife Photographer

Natural History Museum, London
Until 11th March, 2012


Blue Ocean Film Festival

Blue Ocean Film Festival

Deadlines: 3 February to 16 April, 2012 - rates vary


Veolia Environnement Wildlife Photographer of the Year Competition

Veolia Environnement Wildlife Photographer of the Year competition

Deadline: 23 February 2012


International Conservation Photography Awards

International Conservation Photography Awards
Deadline: 29 February 2012


LIDS 2012
London International Dive Show (LIDS)
Saturday 31 March &
Sunday 1April

Advance booking. Save £3.00 per ticket


Masters of Underwter Photography
Deadline: 4th March 2012

British Underwater Photography Championship (Splash-In) 2012

Dab Bolt Overall Winner 2011
Saturday 14th July 2012


What A Wonderful World - David Attenborough


Originally uploaded by the BBC on Dec 7, 2011 on their youtube channel

BSoUP's
Sponsors

AP Valves  - Sponsors of British Splash-in Competition 2006, 2007, 2008, 2009 & 2010, 2011

Calumet Photographic sponsors of the BSoUP / DIVER Print Competition 2010 & 2011

Cameras Underwater

DiveQuest - Sponsors of the Underwater Excelence 2009, 2010

Dive Magazine  - Sponsors of BSoUP Splash-in 2006, the Annual Open Portfolio Competition

Diver Magazine - Sponsors of the Annual Beginners Portfolio Competition and  the BSoUP/DIVER Print Competition 2009, 2010, 2011

Inon

Maldives Scuba Tours - Sponsors of the British Splash-in Competition 2010-2012

Mike's Dive Store

UnderWaterVisions - Sponsors of the Theme Portfolio 2011

Ocean Visions - Sponsors of the Splash-in 2007, 2008, 2009, 2010, 2011

Ocean Leisure Cameras

Olympus - Sponsors of the British Splash-in Competition 2007, 2008, 2009, 2010, 2011

Oonasdivers   - Sponsors of BSoUP Splash-in 2008 and the BSoUP/Diver Print Competition 2009,2010

Sport Diver - Sponsors of the annual Best of British Portfolio Competition & the British Splash-in Competition 2008, 2009, 2010


Wildlife Trusts - Sponsors of BSoUP Splash-in 2008 and BSoUP/DIVER Print Competition 2009, 2010, 2011

HOME Competitions Equipment Links Photo sites
About BSoUP Constitution Exhibitions Magazine Programme
Basic techniques Contact us Film festivals News UK Diving Resources
Books & DVDs Contributors Gallery News archive Video
Classifieds Courses History Meetings Welcome
Code of Conduct Cover Shots Humour Online Shop Wiki Glossary
Coming Soon Directions Join BSoUP Past Meetings

Search - Site index

BSoUP's Best of British Portfolio Competition 1997

Winner - Charles Hood

by Colin Doeg

One of the greatest tests of any photographer's skill is to produce a good portfolio of work. The Society recognised this long ago by introducing special competitions for the best six slides from a beginner, the best selection of six taken in British waters, the best set taken anywhere in the world and the best portfolio of work on a specific theme.

All of the slides in each portfolio are shown simultaneously by a bank of projectors and the audience votes for their favourite three, having seen all of the entries at least twice. Apart from being a technical triumph, if all the projectors perform efficiently, this type of competition demands special skills from the photographers. It is not enough to produce one really eye-catching shot, or even six stunning pictures. They all have to "work" together.

Each portfolio is usually shown on a giant screen for about twelve seconds. In this brief moment the selection of slides has to grab the audience's attention. They have to be generally pleasing, the colours in harmony and the shapes balanced. Remember, if six slides are shown over a period of twelve seconds the audience has less than two seconds in which to examine each one after their first impression of the entry.

CHARLES HOOD, from Wimbledon, South London, won the Best of British competition in 1997. He has clear ideas of how to assemble a winning selection. He says: "First and foremost, the portfolio must be eyecatching. It must also contain a mixture of photographs, from close-up to wide-angle. Each one must be punchy, simple and make a statement in its own right. Macro shots do not work in this competition, they are usually too confusing for the audience to judge in the short time available".

You must also pay attention to the colours of the subjects. This is difficult in British waters because they are not as colourful as tropical seas, but greens, yellows and reds mix well."

MALCOLM HEY, who won the DIVER trophy for the Best Beginners Portfolio in 1996, worked out that there were "84 different combinations of layout in which six slides could be projected". This allows for the fact that they are shown in two rows of three, and that each slide can be shown as a horizontal or a vertical.

He added: "to my eye, only 12 of those configurations work! When you are choosing your vertical and horizontal slides, their shapes, colours and interest levels must balance. A blue-water shot of a great white shark in the top right hand corner will not balance with a macro shot of something pink and furry in the opposite corner - it needs something much bolder and simpler. The portfolio must be an entity in itself. The various images should hang together and give a total impression of balance.

LINDA DUNK, who has won the Society's coveted Open Portfolio competition three times (1994, 1995 & 1996), finds that she needs a long time to put together a winning entry. 'I find it comparatively easy to select four or five slides, but I usually have great difficulty in choosing the sixth".

What does she look for when she is sitting in the audience judging other people's portfolios? 'I want to see the use of different lenses and a range of different subjects. Also, an understanding of the use of natural light - like sunbursts and silhouettes - as well as flash. Each picture should represent something different and have different colours and textures. When put together, the selection should give a broad picture of the underwater world. Symmetry is also important".

All three put an initial selection of slides on a light box at home and keep on looking at them over the course of several weeks, adding new pictures and taking away others until they come up with their own Six of the Best. And the way they do it bowls out the opposition.

Reproduced (with some editing) from Dive International by kind permission of Graeme Gourlay & in focus April 1998 by kind permission of Colin Doeg.

BSoUP BEST OF BRITISH COMPETITION


Buy Books and DVDs from Amazon.co.uk via this website and earn a small commission for BSoUP